Guess What Happened to Count Dracula (1971)

Best bad quote: "I don't know how to tell you this... SANTA CLAUS!"

No. You know what? Don't even bother guessing what happened to Count Dracula; there's no point. This movie never provides the answer. This movie is about the son of Dracula, Count Adrian, who is awakened by a cult full of the a-little-too-human-but-still-fucking-weird-looking cast-offs from the movie Freaks chanting "Puma! Puma!" or maybe "Pumbaa! Pumbaa!" Count Adrian, once awakened, decides he's tired of his main vampire bitch, ashes his cigarette in her hand and sends her away because her character has no point in this movie. He then opens his restaurant/night club, called Dracula's Dungeon, for that nights business and sets his eyes on its one female patron, the dull, clueless Angelica. Angelica gets the heebie-jeebies, but her boyfriend, a dopey-faced, missing fifth member of The Monkees, tells her she's a baby and leaves her to sleep alone, though she requested he stay. 

That night Count Adrian dons his toy capsule vending machine teeth that give him a Bubba lip and bites Angelica. However, she must be bitten three times in order to be turned into a vampire, so Count Adrian somehow gets in good enough with Angelica's idiotic friends to become a tag-a-long to an impromptu party. What follows is one of the worst party scenes, with some of the whitest, most terrible dancing that was ever recorded on film. After receiving a second bite that night, Angelica becomes sensitive to sunlight and makes a snack out of a piece of bloody steak. 

Despite the fact that she's reading a book on the "vampir," Angelica isn't sure why she's feeling ill. So, Angelica makes a date to go to a cult meeting at Count Adrian's nightclub castle home with him, where she witnesses a man eat a tiny rubber lizard and meets a gypsy who cackles at everything. She also meets Count Adrian's lethargic pet tiger, Alucard. Angelica's boyfriend shows up to save her from Count Adrian's third bite, but he's too late! She's been turned in a vampire- a vampire that causes the boyfriend to emit a very girly, Daniel Stern-ian scream.  

The plot of this movie sounds ridiculous, and it is. It's also boring. It has several laugh-out-loud unintentionally funny moments, but the sheer amount of nothing that also goes on really causes the movie to drag. There's a terrible part where the movie actually attempts to be genuinely funny; an attempt that falls so flat that it might as well have dug its own grave. There are great, terrible lines of dialogue, though. Lines that make you scratch your head in confusion, and then make you laugh at their absurdity. One the best of these moments is at the end when the boyfriend attempts to menace the son of Dracula with his tenuous connections to Hollywood, the connections that Count Adrian himself set up in exchange for Angelica.

But, the funniest parts of the movie have to be Count Adrian's facial expressions. His attempts to be vampire-y end up looking like a strange combination of surprised and concerned. His attempts to merge his eyebrows with his hairline almost succeed, however. Aside from the ridiculous story, stupid dialogue and questionable acting, also be ready to have your ears raped by grating organ music. Count Adrian's club plays annoyingly half-hearted circus music, as well. The editing is jumpy and sometimes cuts off lines, though that's somewhat a given with low-budget, exploitation films.

 

So, the question you must ask yourself now- now that you don't know what happened to Dracula, but do know what happened to his son, a dull woman and her dopey boyfriend- is: Should I watch this movie? You'll have to decide if slogging through seventy percent of nothing is worth it for the thirty percent of unintentional hilarity. I think it was. It's probably worth it just for the boyfriend's marvelous scream alone. 

Rating: 2 out of 5... This Guys? 

     

Dracula (The Dirty Old Man) (1969)

Best bad quote: "It was a day just like any other day......... which doesn't say much."

I've never really been afraid of vampires. Out of all the movie monsters, death by vampire always seemed the best way to go. Sure, some vampires have been written as monsters, but, I find that more often than not, vampires are portrayed as sympathetic, almost human creatures who, unfortunately, have to drink blood to survive. Or, they are portrayed as so mysterious and sexy that death by vampire might as well be called la petite mort. Vampires, and especially Dracula, are not often portrayed as lecherously lovable goofs with thickly stereotypical Jewish accents. So, let's hand it to Dracula (The Dirty Old Man) for being the first.

This movie is a joke. I don't mean that like "Oh, this movie is so bad it has to be a joke!" I mean, literally, this movie is a joke. All of the dialogue is dubbed, and has been so in a way that seems as if the narrators are lampooning the film. A lot of the time it sounds as if their lines are being improved. And, most of the time, the narrators speak even when the mouths of the actors are not moving in order to wrench in something funny. The movie seems to originally have had very little dialogue, but with the dubbing it now features lots of funny internal soliloquies that almost make it seem as if the narrators are riffing the movie Mystery Science Theater 3000 style. 

The nonsensical, outrageously redundant opening narration is a good gauge as to the strange hilarity Dracula (The Dirty Old Man) has to offer you during its 69 minute runtime. Newspaper reporter Mike is sent to meet a Mr. Alucard, (that's Dracula spelled backwards, as the movie helpfully points out several times, even going as far as to put "Alucard (Dracula spelled backwards)" in the opening credits) who lives out in the middle of nowhere. But, for Mike, "death lurked behind those beautiful hills, behind the beautiful hills, behind the beautiful hills." Well, not death, really. More like a dopey Dracula who decides that Mike should become his half-bear, half-rat, all-furry rubber masked henchman, whom he dubs Jackalman. Irving Jackalman. At night, Mike changes to Jackalman and then must capture sexy girls for Dracula to teleport to his mine shaft lair. There Dracula ties them up, strips them, rubs his weird face all over their bodies and then bites them on the breast, all the while saying the most ridiculous things.

 

The film isn't all fun and camp, however. There's a rather brutal rape scene where Jackalman finally gets to have a girl of his own. The narrators try to make the scene funny by riffing on what's happening on screen, but it just serves to make the scene more disturbing, even if it does manage to twist a couple of laughs out you due to the ridiculousness of the dialogue. There is an even more ridiculous rape scene later, where a randomly masturbating woman cuts to having Jackalman going down on her. And, despite having her eyes open and looking down at Jackalman's nappy mask it takes her quite a while to realize that the wolf creature is not, in fact, her doughy boyfriend.

Mike, as Jackalman, ends up capturing his own girlfriend to give to Dracula, but then decides that he wants her. Stripped naked, she sort of tries to escape as they fight. She giggles a lot and takes a rest after only jogging a little way and is thus promptly captured. Dracula is defeated via his own stupidity as it turns out his lair is right at the mouth of the cave. He decides to take a step outside during he and Jackalman's fight and is then turned to dust. Jackalman is turned back into Mike and then he and his girlfriend decide to screw right then and there in a painfully long, very softcore scene on Dracula's dirty makeshift bed.

The moving picture part of this movie isn't the main attraction. It's the dubbing that makes Dracula (The Dirty Old Man) worth watching. It's almost like you are watching a commentary track for a silent film where the actors decide to make fun of the shitty movie they were in. I haven't been able to find any information on the original script, but I know that the reason it was dubbed was because there were serious sound issues. I find it highly unlikely the finished product that I watched, with its goofy accents and ridiculous lines, was what the filmmakers originally intended. But, without the ridiculous dubbing, this movie would have just been another boring, sleazy exploitation film for kids at drive-in theaters to not watch while making out in their cars. But, with it, Dracula (The Dirty Old Man) turns into a strange joke of a film that, surprisingly, works. 

You can go to Something Weird Video to check out this movie.

Rating: 5 out of 5 Rape Faced Jackalmans

       

The Thing With Two Heads (1972)

Best bad quote: "Honey, I was wondering... uh, do you have two of anything else?" 

The trailer for the film so succinctly sums up the major plot points with these two sentences: "It seemed like a good idea at the time. The white bigot was dying the black soul brother needed time to prove his innocence." With lines that ridiculous I bet you're thinking that The Thing with Two Heads is the epitome of camp, with its outrageousness culminating in the most awesome movie ever made. Well, you'd be wrong. Though, that's not to say that this film doesn't have any redeeming features.  

Of the hour and thirty minute run time, the first fifty minutes is a somewhat interesting drama concerned with racism that, unfortunately, seems such a distinct disconnect with what one was expecting based on the trailer. The disparity between what you are expecting and what you get makes it hard to enjoy the film. Well, that, and it's rather boring for most of that fifty minutes too. After that, we get two chase sequences that are fun at first, and more in line with what we are expecting. But, they are not fun enough to really sustain twenty-five minutes and become repetitive. The fifteen minute quick-fix finish ends with an unsatisfying, but hilariously abrupt ending.  

The white bigot, Dr. Kirshner (Ray Milland), is a surgeon who has been experimenting with a way to transplant a head from a dying body onto the body of another, allowing the new head to ultimately take control of the body. After a month or so, the old head is removed. Dr. Kirshner is comatose and dying of chest cancer, so his right hand man must make a quick decision: let the old man die or transplant his head onto the body of a black death row prisoner Jack Moss (played by Rosey Grier) who, at  the last minute, decided to donate his body to science in hope that he would gain more time to prove his innocence. What the "black soul brother" didn't count on was that he would wake up with the head of a racist old white man attached to him and sneering in his ear. 

As Dr. Kirshner doesn't have control of his new body yet, Jack escapes and takes along not only the reluctant head of the bigot, but also the brilliant Dr. Williams. In one of the more compelling scenes in the first part, Dr. Kirshner wrongs Dr. Williams in a confrontation that cements the fact that Dr. Kirshner is a bigot in a believable way- in a way that is unsettling in its unfairness and wrongness. Dr. Kirshner meets Dr. Williams for the first time after hiring him based on just his excellent credentials. However, after he discovers that the Dr. Williams is black, he tries to back out of their employment contract by saying that something unexpected has come up. Unfortunately for Dr. Kirshner, there is no "Void if the man you hire is black" clause and Dr. Williams is allowed to work out his time allotted in the contract after an uncomfortable confrontation.

After the confrontation Dr. Kirshner has an excellent line in defense of his actions that sums up his stupidity and bigotry perfectly. He says: "I just got carried away by some superficial accomplishments before interviewing the man." He doesn't say that Dr. Williams is only a brilliant doctor if he can't see the color of his skin, that the perceived wrongness of being black supersedes his excellent accomplishments. The wrongness of his dark skin now defines him, and thus relegates his accomplishments to a superficial, unimportant status. That it doesn't occur to Dr. Kirshner that he is making decisions based on the superficiality of skin color would be hilarious in its idiocy if it weren't so terrible and so true to life.

The rest of the film involves Jack and Dr. Williams running from the cops. Because this is the 1970's, the duo, along with the reluctant head of Dr. Kirshner, end up at a motocross rally where they steal a bike. The subsequent chase scene results in a couple of cops crashing their cars at multiple angles- I mean, fourteen doofy cops crashing their cars in wacky ways. The end of the film comes rather quick, as I've said. And, though it's rather unsatisfying, the sheer absurdity of the last two scenes will make you laugh. 

This film had its moments. At times it was intentionally and unintentionally funny. And, despite the ridiculous premise, the bigotry of the Dr. Kirshner was believably written. The problem is that the movie gets bogged down by, well, nothingness. There are so many long stretches of nothing, especially with the twenty-five minute chase scene, that watching becomes a test of patience. 

I almost just want to recommend the trailer for this movie, as it really boils the film down to its best components. But, then you'd miss the magnificent last two scenes. So, I recommend that you watch the trailer and then watch the end of the movie. Five minutes of its best parts, without all the nothing, is really the only way you can enjoy the absurdity of The Thing with Two Heads. 

Rating: 2 1/2  out of 5 Two-Headed Gorillas

   

Here's the trailer for your veiwing pleasure.